![]() (Each pass has its own level and pan, so you can get quality control of the mix.) There’s no need to decide right away which of the passes you want to print either, because you can save your entire Polar session as an independent file, and even open it in an entirely different Digital Performer session. Polar’s passes can be printed individually or comped together as a single take. You can choose to have the passes automatically added to your Tracks window, which is very convenient, or just put in the session’s Soundbites’ pool to drag into your arrangement later. If the passes are short, then the process of writing them to your drive is almost immediate. With several passes recorded, you can write these to your hard drive by pressing Polar’s Print button. Loop duration is easily adjusted using the repeat bar lines, which become visible in the Tracks window when Memory Cycle is enabled. In the Manual mode, a pass is continually recorded (over and over, for a cumulative effect) until you press the New Pass button or stop recording. In the Automatic mode, a gate lets you adjust for triggering sensitivity, and each new pass is automatically incremented. Polar’s recording can be set to automatically start at sound input, or you can press its Record button to manually begin each new pass. The input source can be mono or stereo, and there’s a level control for the output. Open Polar’s window and assign input record and output monitor sources. Recording with Polar is relatively simple. Polar depends on the MAS engine, so I suggest running it with a MOTU audio interface (such as the 828 or 896 FireWire units) for best results. Running Digital Performer on a minimum of system memory (by setting its memory allocation to a reasonable amount) and with a bare-bones system extension set also helps to free up RAM resources. To get the most recording time possible when working in Polar, your computer should be loaded with as much RAM as it can hold. ![]() ![]() Playback follows Digital Performer’s main transport so that you can jam along with the session’s tracks as you record. Using Polar, you can quickly record a bunch of loops into your computer’s RAM and then save just the “keepers” to your hard drive. Given its own dedicated window and unique modular appearance (similar to a plug-in), its controls are very easy to learn. It’s a RAM-based loop recording tool first introduced in Digital Performer Version 2.6. Polar is a feature in Digital Performer that solves this problem. But this can be a dangerous operation, opening yourself up to the possibility that you might accidentally delete something crucial. The alternative is to go into the project’s Audio Files folder and erase the unused files. However, if you’re running low on hard drive space and the project is really big, then this may not be a viable option. Some programs can perform a special “save as” and create a duplicate project folder that contains only the used audio files. (The layers are often referred to as virtual tracks.) However, once you decide on the take that you want to keep, all of the other unused takes are still eating up hard drive space. Have you ever wished for a way to record takes without cluttering up your hard drive with files? Many of today’s best digital audio sequencers have some sort of “take” function that lets you record multiple passes on one track without erasing the previous passes by saving each one as a layer for that track.
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